Audio Toys, Inc. (ATI) was founded in 1988 by a group of seasoned touring sound professionals with the goal of manufacturing audio equipment of the highest caliber. Our core philosophy was simple: audio mixing should be a creative, useful tool that provides ultimate satisfaction to the user. This is where our corporate name, Audio Toys, Inc., came from—designing high-tech professional 'toys' for the audio world.
The company's first saleable product, the Paragon mixing console, quickly gained a reputation for quality, reliability, and innovative, forward-thinking technology. The Paragon circled the globe on high-profile tours and found permanent homes in some of the most prestigious facilities in the country.
Paragons were used by artists including Steve Miller, Stevie Wonder, U2, Dolly Parton, Clint Black, Garth Brooks, Tracy Lawrence, Luther Vandross, Prince (TAFKAP), and Dwight Yoakam. Permanent installations included the Grand Ole Opry house in Nashville, the Hollywood Bowl in LA, and Resorts International in Atlantic City.
Beyond the Paragon, ATI introduced a series of rack-mount mic preamps and audio processors, even receiving a patent for our audio compressor design and three industry design nominations from MIX magazine. These devices were leveraged in the production of music, films, and commercials by major figures like Alan Parsons and Scott Gershin.
Significant expansion occurred when ATI acquired Uptown Automation Systems (a leader in moving fader console automation) in 1997, followed by the acquisition of API Audio Products (manufacturer of discrete studio mixing consoles) in 1999, forming The ATI Group. By February 2002, The ATI Group also began distributing Audient products in the US, furthering our commitment to outstanding performance and value in the audio market.
A look back at the consoles, preamps, and processors that defined an era of live and studio sound.






Access to vintage manuals and technical documents for our classic gear, ensuring the legacy continues.